keep going for specific examples!

Storytelling:

The Gauntlet

The Gauntlet is a site-specific non-linear choral form that I’ve been documenting over the past few years.

This version of the doc that I directed, edited, and captured, was commissioned by the Sydney Opera House.

See more about the Gauntlet

Vibe Like Paul

I helped Jake Bronstein bring his latest media experiment to life by directing, shooting, and editing this Kickstarter video.

Trailer & Social Content:

You HEard Me Write podcast

In 2020 i found myself working with a small team to bring an in-person podcast to life in the midst of local shutdowns and restrictions. We rented a property and seated our guests outdoors around a swimming pool. In our second season We opted to use studios provided by Spotify located in New York, Atlanta, and Los Angeles.

as an employee at Rehash Studio, I produced, directed, and edited several video assets for the INDEX2019 conference in Miami beach. Deliverables included: Promotional materials to drive ticket sales, on-stage videos and graphics displayed at the event, post-event recap, and full session videos.

Industrial Exchange

Conference Opener

Housekeeping Video

see more Index2019 assets

Taste!

a delicious musical journey

when in-person performances in NYC were suspended In the spring of 2020, Choral Chameleon was looking for an alternative way to present their 2020 season to audiences.

Working with producer Nicole Belmont and chef Lish steiling, I directed, captured, and edited 4 episodes of Taste, which each paired a selection of choral movements with a meal course.

See more Taste courses here

Meatsuits

Swimwear and Apparel

One day a targeted ad challenged me to “create a dropshipping store in minutes”.

With the help of a really neat Print-on-demand service, it took about 90 of those minutes to get meatsuits up and running.

While the original hosting platform (the one who orinally challenged me to create the store) became prohibitively expensive, you can still get meatsuits here.

VR/360

I became a vr/ar/xr enthusiast when I was tasked with putting together a HTC VIVE system in 2016 for the office at Rehash Studio. Since then I’ve been on the lookout for areas where immersive storytelling is particularly beneficial, advising on VR incorporation into several tech projects, and sometimes using the medium in my documentary work.